This imposing view is located near the town of Armoy in Antrim. Known as the 'Dark Hedges', these beech trees were planted in 1750 and have over time grown into this beautiful, surreal tunnel.
Over time, various trees in the row have died and fallen, and recently several were removed as they were in danger of collapse. A local trust has been set up to replant the missing trees, so that this remarkable place will continue to exist in its current form.
Shot with a long lens, the natural perspective compression serves to amplify the dark and brooding nature of the tunnel.

This is an iconic location, the view down the slip road to the harbour at Dunquin (Dún Chaoin), at the tip of the Dingle peninsula. From here you can catch the boat to the Blasket Islands.
Made on a stormy afternoon using a long exposure, the waves have turned to mist, swirling around the rocks just offshore.

This image of Carrauntoohil (Corrán Tuathail) was made from the Hag's Glen by the banks of the Gaddagh River which flows from Lough Gouragh and Lough Caillí.
The hill rising to the right is Knockbrinnea (Cnoc Broinne), and the promintory jutting from its slope is the Hag's Tooth (Stumpa an tSaimh).
The route through the Hag's Glen is the most popular access route for climbing Carrauntoohil, with several possible routes opening up. The Devil's Ladder is the most heavily used of these, rising from the southern wall of the Glen to the ridge between Carrauntoohil itself and Cnoc na Toinne - just out of frame to the left.

The sun sets over the boulder beach at Mullaghmore, Co. Sligo.

It's true that bad weather often makes for the best photographs. On this cold and blustery day a warm fire and a good book would seem preferable to being out, braving the elements with camera in hand.
However, it was most certainly worth it. These dramatic clouds appearing over Cnoc an Tarbh, Cnoc an Bhráca, Cruach Mhór and the Big Gun dwarf these lofty peaks. The western Reeks are engulfed completely, and Cruach Mhór only appeared sporadically.
Lough Leane is in the foreground.

Since my first visit to Cork as a photographer some years ago, I've had it in mind to photograph Toe Head, an imposing headland to the west of Galley Head on the south coast of Cork.
I hadn't found a vantage point I was happy with on the few occasions I'd been around when good light was threatening. However, serendipity paid a visit when I was out with Roger Overall, a commercial photographer and friend of mine.
We met up, I stabbed my finger at a spot on the OS map that looked promising and we arrived at the location in this photograph.
Made looking to the west as the sun was getting low in the sky, it shows the headland's most imposing aspect with the rocks in the foreground leading the viewer up to it.
Made using a filter which forces a long exposure, the water and waves take on a misty character which adds to the character of the scene.

Photographing the lighthouse from the rock itself can be challenging, both artistically and physically. High winds complicated my efforts, but as we were waiting for the helicopter to pick us up, the sun popped out from the clouds and I was able to frame this image.

An Searrach (the foal) is a prominent sea stack on the Dingle coastline near Lispole. This image was made in the late afternoon on a fine summer's day. A long exposure was used to blur the movement of waves and clouds.

This image was made on a fine October's evening. It is looking east over Lough Eighter in the Coomloughra valley in the Macgillycuddy's Reeks. The peaks of Caher, Carrauntoohil and Beenkeragh, three of the tallest mountains in ireland, dot the ridge which towers over this high valley.

Made on my second visit to the north Antrim coast in 2009, this view of Fair Head from Colliery Bay is my favourite of that trip.
The weather was threatening in the pre-dawn hours, but there was a band of clear sky right where the sun was due to rise. The low clouds are lit from beneath as it rises over the Scottish Hebrides, but all too soon the show was over and it vanished behind the advancing cloud cover.
Being in the right place at the right time is crucial for successful landscape photography. On this morning I realized the shot I had planned, which relied upon golden sunlight on the scene, was not going to happen - so I shifted gears and went to a location where I'd be able to shoot directly at the Sun as it rose.
The tactic paid off in this case, and this image - made at the peak of the light show - shows that the red light wasn't quite strong enough to fully light the underside of the clouds nor to illuminate the rocks. The result is a contrast of warm and cool colours which I feel work very well.

This photograph was made in the evening after the lantern had come on in the lighthouse. The open door is very inviting - lighthouses were always very hospitable places. Unfortunately, since automation more often than not the doors are barred as there's no one present. When work is ongoing, for a brief time some of that old hospitality comes back to life.

Dún Briste (Broken Fort) is an impressive sea stack at Downpatrick Head on the North Mayo coast. Standing 50 meters (164 feet) high, it was once part of the mainland, connected by a sea arch. It's not known for sure when the arch collapsed, but it seems likely to have been sometime in the 14th century.
Normally viewed from the adjacent cliffs, the most impressive views of the stack are from sea level. This image was made from the base of the cliffs near the entrance to one of the caves that undercut the headland. It should be noted that this an extremely dangerous spot to get to and should only be attempted while in the company of someone who has been there before, and with good knowledge of the local tides and sea conditions. It is possible to become trapped by the incoming tide and a rogue wave could easily sweep you out to sea.
This swirl in the foreground is a result of the long exposure revealing the flow pattern as the waves ebb off the platform. The pool here is about 8 feet deep, and has been carved out of the flat rock platform by countless years of such action. If it wasn't for the danger of being swept away, it would make an excellent jacuzzi!

The steps leading down to the old landing at Dunlough Bay on the Mizen peninsula

The moon peeks out from behind haze and cloud shortly after rising above Myross, Co. Cork

One thing that's difficult for photographs to capture is the impression of height. I feel this image, made from the lower balcony of the Fastnet lighthouse, succeeds in conveying that sense of vertigo. Looking down 140 feet to the seething waters below gives a real sense of the accomplishment of the builders who finished this structure in 1904.

Kilcatherine is one of the hidden jewels of the Beara, itself an under-appreciated gem of the south-west of Ireland. This photograph from Kilcatherine Point looking west to Inishfarnard shows the rugged beauty of this area. It was a day where the forecast was bad enough to make you want to curl up by the fire and forget the outside world exists, but I ventured out and was rewarded with this wonderful sunset.
You don't need good weather to make good photographs!

The Muglins lie about half a mile northeast of Dalkey Island, and are a danger to shipping. Many ships came to grief on these rocks until a light was established at around the turn of the 20th century.
This image was made on a very fine night, and shows the northeastern extent of Dalkey Island, with the Muglins light beyond. On the horizon, the Kish lighthouse winks at us.
This is one of the images that I'm most happy with. It is simple, but there is plenty for the eye to wander over and appreciate - most notably the line of clouds near the horizon and the fine detail in the Moon's reflection. The sea is slightly smoothed as it was a long exposure - perhaps 15 seconds or so.
This is the second image I've made of this location. Slightly earlier in the night than the first, and in almost identical weather conditions, it adds colour which I felt was lacking in the original.