Made from the balcony of the lighthouse, the view is back towards Cape Clear Island with the base of the old lighthouse and the helipad in the foreground as the pink light of dawn grows.

Lough Leane is the largest of the Lakes of Killarney, and is seen here looking from Reen Pier near Ross Castle towards the Purple Mountain group (consisting of Tomies, Purple and Shehy mountains).
The Lakes are world famous for their beauty and I've long been looking for an image that conveyed the scale and calmness of this area. It wasn't until fairly recently that the combination of clouds, calm water and warm light made this photograph possible.

White Rock Beach on Killiney Bay is an extension of Killiney Beach, but is cut off from the main strand at high tide.
This swimming platform has been carved out of the rock, and is largely exposed at low tide. Taken here with a long exposure at high tide, it seems to be floating in a sea of mist.

The Pan's Rock is a popular fishing spot on Ballycastle Beach on the North Antrim Coast, or the Causeway Coast as it is also known.
Reachable at low tide by hopping the slippery rocks, it becomes an island at high tide, and so a footbridge has been built out to it.
In this view of the rock, made an hour or so after dawn, a long exposure of two minutes has been used to smooth out the movement in the water. This has also blurred the clouds which were moving briskly from the north. Rathlin Island is visible on the horizon.
This is another favourite image from the second Antrim trip I took in 2009, and produces a stunning large print.

Made in the Dark Sky Reserve in southwest Kerry, this shows the lunar eclipse of 2015 near totality. The blue glow in the water is bioluminescent plankton.

This image was made about an hour after sunset. The last vestiges of colour are visible in the sky over the horizon, but the cool blue of night pervades the scene.
The causeway stretches out ahead with the foreground hexagons wet from spray. The thirty second exposure has left the waves a blur.

Gallarus Oratory on the Dingle peninsula by moonlight.

The steps leading down to the old landing at Dunlough Bay on the Mizen peninsula

The Old Weir Bridge in the Killarney National Park is the gateway to the Meeting of the Waters where the Upper Lake (via the Long Range river), Muckross Lake and Lough Leane converge.
This image was made shortly after sunset as the light was fading from the sky.

The Muglins lie about half a mile northeast of Dalkey Island, and are a danger to shipping. Many ships came to grief on these rocks until a light was established at around the turn of the 20th century.
This image was made on a very fine night, and shows the northeastern extent of Dalkey Island, with the Muglins light beyond. On the horizon, the Kish lighthouse winks at us.
This is one of the images that I'm most happy with. It is simple, but there is plenty for the eye to wander over and appreciate - most notably the line of clouds near the horizon and the fine detail in the Moon's reflection. The sea is slightly smoothed as it was a long exposure - perhaps 15 seconds or so.
This is the second image I've made of this location. Slightly earlier in the night than the first, and in almost identical weather conditions, it adds colour which I felt was lacking in the original.

Made on my second visit to the north Antrim coast in 2009, this view of Fair Head from Colliery Bay is my favourite of that trip.
The weather was threatening in the pre-dawn hours, but there was a band of clear sky right where the sun was due to rise. The low clouds are lit from beneath as it rises over the Scottish Hebrides, but all too soon the show was over and it vanished behind the advancing cloud cover.
Being in the right place at the right time is crucial for successful landscape photography. On this morning I realized the shot I had planned, which relied upon golden sunlight on the scene, was not going to happen - so I shifted gears and went to a location where I'd be able to shoot directly at the Sun as it rose.
The tactic paid off in this case, and this image - made at the peak of the light show - shows that the red light wasn't quite strong enough to fully light the underside of the clouds nor to illuminate the rocks. The result is a contrast of warm and cool colours which I feel work very well.

Seen from Lough Acoose in Glencar, the snow-covered Macgillycuddy's Reeks rise up to the stars.

Since my first visit to Cork as a photographer some years ago, I've had it in mind to photograph Toe Head, an imposing headland to the west of Galley Head on the south coast of Cork.
I hadn't found a vantage point I was happy with on the few occasions I'd been around when good light was threatening. However, serendipity paid a visit when I was out with Roger Overall, a commercial photographer and friend of mine.
We met up, I stabbed my finger at a spot on the OS map that looked promising and we arrived at the location in this photograph.
Made looking to the west as the sun was getting low in the sky, it shows the headland's most imposing aspect with the rocks in the foreground leading the viewer up to it.
Made using a filter which forces a long exposure, the water and waves take on a misty character which adds to the character of the scene.

Being mainly famous for its 6th century monastery, the dramatic island of Skellig Michael also boasts two lighthouses built in 1830. This image was made of the lower lighthouse from the road to the upper (which was discontinued and abandoned in 1870).
Made shortly after moonrise, the image shows the light in its new guise. Just a couple of weeks before this image was made, the old fresnel lantern was decommissioned and a modern LED lantern mounted on the balcony. In a large print, this new light can be seen illuminated. It has great advantages in cost of operation, but unfortunately means that the rest of the lighthouse complex is surplus to requirements and will be closed up. The end of an era, but on this trip I was fortunate enough to enjoy the hospitality of the lighthouse for possibly the last time ever.
This is one of my favourite images of recent times. I love the line of the road leading down to the light, and even more the evidence of nature's relentless assault in the cracked and damaged walls, and the overgrown road itself.

Dunluce Castle is one of Ireland's most picturesque. Photographed here from the boulder beach just to the east, it forms an imposing sight.

We don't get much in the way of thunderstorms in Ireland, and when one does arrive it's usually pretty mild. On this evening, however, I experienced a storm that seemed stronger than anything I'd encountered while living for 10 years in the American mid-west.
Once things calmed down enough to permit photography, I grabbed the camera and this is the result. I love the dark tones and the way the lightning has lit the underside of the clouds.

A panoramic version of the Meeting of the Waters photograph.
The Old Weir Bridge in the Killarney National Park is the gateway to the Meeting of the Waters where the Upper Lake (via the Long Range river), Muckross Lake and Lough Leane converge.
This image was made shortly after sunset as the light was fading from the sky.